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vineri, 3 decembrie 2010

TEDx Vancouver 2010: A Lengthy Review

I’ve been back and forth over whether I should write this review or not but I figured in the end that the whole idea of TEDx is to be a launchpad for discussion, so here is my review.

As a measure of the quality of the event, I’ve decided to analyze it based on its mission, which from the TEDx Vancouver website is:

“… bringing together a diversity of innovators, industry leaders, and other speakers of diverse backgrounds who educate, inspire, and stimulate change in technology, entertainment and design“ and presenting speakers who are “… extraordinary voices in our community who have a unique story or an unusual perspective – and who can convey it in a dynamic way.”

Since the whole idea of TED (and thus the TEDx) events is to produce videos of “ideas worth spreading,” I’ve devised a simple rating system based on whether the videos are worth watching or not. It has three levels:

Share It – the talk was great and you should get as many people as possible to watch it
Watch It – the talk was interesting enough but some of your friends will find you wasted their time if you share it
Skip It – the talk didn’t bring anything new or interesting to the table and your time is better spent watching a different TED talk

Yes it’s harsh, but the premise of TED is to bring forth the best and brightest, so that’s the scale it should be judged on.

This review has three sections: The Talks, The Event and Ideas for the Future.

The first time I saw Afshin-Jam was when she appeared on Citytv’s BreakfastTelevision back in 2006. At the time she was just kicking off her campaign to collect signatures to stop the execution of an Iranian teen who shared her name and was wrongfully convicted of murder. Afshin-Jam succeeded in collecting over 350,000 signatures, got both local, national and international governments to take notice and eventually persuaded the Iranian government to relent, give the condemned Nazanin a new trial which lead to the acquittal of all charges.

On the heels of the success of this campaign Afshin-Jam co-founded the “Stop Child Executions” organization and she now works to bring awareness to the injustices perpetrated by governments and religious leaderships in Iran and around the world upon children, youth, women and other oppressed groups.

Afshin-Jam’s talk was more or less a walk-through of her experiences working to free Nazanin and bringing awareness to the cause of justice for the oppressed. It is a good story, and it is one that should be heard, but I’m not sure it brought anything new to the table. Yes, we all know Iran has a horribly oppressive regime and that something needs to be done about it. And yes, we know that in spite of its high aspirations, the United Nations is inherently crippled and largely unable to deal with states such as Iran, Burma and China when it comes to human rights abuses. What we need is a solution to the problem. Afshin-Jam lamented the inefficiency and impotency of the U.N. and suggested instead an organization called the United People who would represent the real voices of the people. The problem is such an organization would be both powerless and bogged down in endless quarrelling. The problem with the U.N. has as much to do with cultural bias, incomprehension, opposing value systems and national sovereignty as it does corrupt leaderships. And these problems would not be solved by United People. For true change to take effect, something else has to happen – and that something else is, at least in my view, true understanding between cultures.

Take-away: Things are bad in Iran – probably worse than most people are aware – but with enough support and enough pressure even a single person can make a difference by being the voice of the voiceless.

Bottom Line: Watch It.

In some ways you could say Greg Power’s talk was vaguely related to that of Nazanin Afshin-Jam. The title, The Fine Line Between Speaking and Being Heard, was the starting point of a discussion about why certain messages prevail while others crumble into our collective amnesia. So how do they relate? Both talks were about communication, though on different levels. Afshin-Jam spoke of communicating a demand for justice to a regime with selective hearing. Power spoke of communicating a message that would resonate with people and foster action and change. And he communicated that message quite well.

The core of Power’s presentation was the simple principles used by marketers for decades to change our opinions, get us to buy products and vote for politicians. He started with a question of why Hillary Clinton’s message got lost while Barack Obama’s message prevailed even though you’d think it would be the other way around. The answer (in my extremely condensed form) was that Obama’s message resonated with people’s emotions. If you appeal to their emotions and make a connection there, people will emphathize with your message and let themselves be swayed by it. This is core marketing strategy and it is something everyone should know whether they are in marketing (so they can use it) or they are at the receiving end of a marketing message (so they can be aware of it).

Power is a solid speaker with a clear message that resonated well with the crowd. I would have liked to have seen some more ideas and new approaches rather than a basic breakdown of the principles, but I think I’m in the minority on that front and my view is tainted by my field of work. For someone not working in media, his presentation is a must-see.

Take-away: Your emotions control you, so if someone manages to tap into them, you will do what they want whether you like it or not.

Bottom Line: Share It.

Fiona Rayher and Tara Mahoney run the Gen Why Media Project which aims to engage Gen Y, a.k.a. The Millennials through media to make change happen. Considering this generation is often labeled as lazy, apathetic, self-righteous, superficial and said to have an unjustified sense of entitlement, such a project is not only necessary but vital.

Rayher and Mahoney based their talk on the generational theories of social historians William Strauss and Neil Howe. At the centre of Strauss and Howe’s theory is the recurrent cycles of generations. The basic idea is that each generation takes on one of four archetypes. They are the Prophet generation, the Nomad generation, the Hero generation and the Artist generation. These theories are based on historical analysis of generations past. The last Hero generation (considered to be transformative and world-changing) was the G.I. generation born between 1901 and 1924. That means if the theory is correct, the next Hero generation should be Gen Y. And that was the foundation of Rayher and Mahoney’s talk.

Let me sidetrack for one minute to put this into perspective: In science there is a type of theoretical fallacy that is both warned against and encountered all the time: The theory dependence of data. In short, the problem arises when a scientist starts making judgements about the validity of a particular theory by either selecting or even shaping the data to fit with that theory. In my view Rayher and Mahoney’s talk was a text-book example of just such theory dependence.

The premise, actually the foundation of their talk was the assumption that Generation Y is, by virtue of being the fourth generation since the last Hero generation, in fact the next Hero generation and that it will produce transformative change simply for this reason. There are several problems with this theory. First off, it assumes that generational behaviour is somehow predestined based on the generational cycle principle. Secondly it makes statements and assumptions about future events of the type “we will be the ones changing the world.” The result was a talk in which the presenters inadvertently represented their generation (which I, being born in 1978, am a part of by the way) as one that sees itself predestined and entitled to be the one that saves the world and fixes all the messes caused by generations past.

Watching the talk I was struck by the self congratulatory attitude and the lack of historical and theoretical understanding displayed. And I don’t think Strauss and Howe would disagree. I decided to reserve judgement, but based on conversations outside the auditorium directly following the talk it became clear I was not alone.

Here’s the thing: I actually believe in what Rayher, Mahoney and the Gen Why Media Project are doing and I think they are doing a bang-up job at it. They have the potential of becoming the voice of a generation and they are helping their peers realize their potential. Unfortunately their talk was a wrong turn onto a dead end sidetrack and had little if anything to do with what they do and what they stand for. Had they focused on their actual achievements, of which there are many, and showed how they empower youth and Millennials to use media to foster change and better the world, their talk could have been excellent. In the end the only thing that really worked was the PSA video they ended with.

If anything Rayher and Mahoney’s talk was an excellent starting point for a discussion on whether the established generational X and Y labels are correct or even sufficient. Few of my peers feel that they are in the same generation as those born from 1985 and later and there seems to be a generational divide not around 1976 but rather the mid-to-late 1980s between the generation that grew up without and with the internet. But that’s a whole different discussion.

Take-away: Generation Y is a technologically competent generation that understands how to use technology and media to further their goals, have their voices heard and make change.

Bottom Line: Skip It.

Dr. John Horner is a renowned paleontologist specializing in dinosaurs. And he has discovered something earth-shattering both for scientists and 8-year-old kids: Many of the dinosaur species science has defined are actually just the same dinosaurs at different stages of maturity. As a result, it looks like there are fewer species of dinosaurs than we previously thought.

Dr. Horner has taken on the establishment and proven a lot of people wrong. In the process he is rewriting a huge part of our planet’s prehistory and a lot of books will have to be rewritten as a result; which is exactly how science should work. His presentation style and attitude is hilarious and inviting in its weird and quirky understatedness. And backed with true, hard-core science he presented something new, unique and groundbreaking – exactly what the TED conference promises.

Take-away: Dinosaurs are awesome and new discoveries are made every day. I want to go to Dr. Horner’s museum.

Bottom Line: Share It.

You may have seen people walking around with t-shirts with the subtle message “FUCK CANCER” prominently displayed on their chests. It’s a bold statement and it’s a fresh take on a topic that is both touchy, complicated and a bit oversaturated.

Yael Cohen’s story is not unique, but what she has done with it is. Her mother was diagnosed with cancer and being a true child of her generation Cohen immediately turned to the internet to learn everything she could about her mother’s affliction. What she found shocked her: Turns out 90% of cancers are curable if found in stage one! And from that follows a simple conclusion: With better early detection far fewer people are going to die from cancer. Realizing this, Cohen made it her mission to bring awareness to early detection.

What’s unique about Cohen’s story and her approach is that she has gone in a totally new direction – early detection rather than the hunt for a cure – and she is using shock and humour to get the message out. Both of these elements are welcome in a field that has become dominated by walks, runs, drives, branded sales and a never-ending hunt for the ultimate cure.

Cohen’s approach is fresh and extremely gutsy and she is making great headway with it. Personally I’ve always wanted to wear a shirt with a swear word prominently printed across the chest and I will definitely buy one of hers. Her presentation was littered with expletives and facts and went by in a snap. She knows what she’s doing, the message resonates with the audience and it is a cause worth supporting.

Take-away: 90% of all cancers are curable in stage one, yet most cancers are only discovered in late stages. In other words a focus on early detection may save as many if not more lives than continued focus on a cure alone.

Bottom Line: Share it (but warn your friends of some seriously foul language).

I must admit I’ve never understood the attraction of Nardwuar. Until now that is. Watching his presentation (I’m not even going to attempt to describe it – you have to see it to get it) I realized my lack of understanding of the man was grounded in my not understanding his cultural and historical importance in Canada (I moved here in 2002).

His presentation was insane, funny and surprising. And when it was done, he did what was by all accounts the first ever crowd-surf in TED history.

Take-away: If you want something, ask for it. You may be surprised how far you can get with the right attitude.

Bottom Line: Share It.

You may have heard of Burning Man or some of the other new-age’y festivals that are happening all around the world and in particular here on the West Coast. Jeet-Kei Leung is firmly planted in the middle of this movement and he came to share it with the world.

I don’t know quite what to say about Leung’s talk other than that it seemed to be the wrong talk for the wrong audience. The cultural phenomenon Leung presented, though interesting on an anthropological level, is an extreme fringe element. And as a fringe element it’s hard to understand for anyone outside. The talk took the audience on an imaginary trip with a “lightship” to visit some of these festivals where we got to see photos of different events and the characters who attend them. Leung talked about the importance of dance and music in old cultures and how these “transformational” festivals were going to change the world by bringing us closer to nature. His intention was to introduce and invite the audience to a new and exciting cultural phenomenon, but in the end it became more of a slideshow presentation of a fringe counter-culture people have a hard time relating to.

Take-away: There are a lot of new-age’y techno/trance festivals on the West Coast and the community is growing.

Bottom Line: Skip It (unless you’re into this kind of thing, in which case share it with all your friends)

You may have noticed that the applications we interact with on the web are getting awfully smart. Google knows what you are searching for almost before you make a search and Netflix is able to recommend movies you are guaranteed to like. This, according to Nicholas Molnar, is quickly turning into a problem, and I tend to agree.

The core of the problem, and the foundation of Molnar’s talk, is that applications only care about two things: Click-through rate and stick time. That means they will provide you with what you want to see to keep you engaged. In news and media this is a problem because it creates an echo chamber in which you are only presented with views and ideas that fit your world view. In games it is a problem because games keep you stuck to the screen spending money, wasting time and producing nothing of value. But it doesn’t have to be that way.

Game developers and other interaction designers are now working on interactive services, applications and games that use these problematic elements to do good. From a chip that makes jogging into a game to a computer game that helps kids in cancer treatment recover quicker to an online game that makes chores fun, developers are starting to harness the power of the internet and gaming to make the world a better place.

Take-away: People are easy to hook with games that give rewards. And although right now most games are just in it for the money, developers are starting to create games that can do good.

Bottom Line: Watch it.

Ever heard of Fracking? I’m not talking about the imaginary swear word from the Battlestar Galactica TV show but hydraulic fracturing – a new method to extract oil and natural gas from rock and shale underground. Josh Fox was introduced to the concept when a fossil fuel company sent him a letter offering a humongous pile of money if he would let them frack the bedrock under his property to extract the large deposits of natural gas found there. First it sounded too good to be true but then he discovered that his neighbours, his whole city, his whole county was getting the same kind of offers. So he started researching what this “fracking” was all about. And what he found was truly alarming.

I’m not going to go into great detail here. You are better off watching the movie. But basically the method of fracking entails pumping enormous amounts of water infused with over 600 nasty chemicals into the ground at extremely high pressure to make the gas or oil come up to the surface. The method, although presented as safe and environmentally friendly, is in reality extremely hazardous and highly polluting – a point proven by the fact that in areas where fracking is underway residents can set their tap water on fire and get unexplained cancers.

Realizing he was discovering a horrifying man-made natural disaster in the making (fracking has been proposed for almost half the USA, large parts of Canada, Australia and is now moving to African and even Europe) he decided he needed to speak up. So he made a documentary traveling to the places where fracking is already underway and where people are suffering the consequences. The movie (called Gasland) has been made, it has won awards, it has been watched by millions, it has been featured on HBO and there is Oscar talk. Josh Fox may very well become the Erin Brokovich of natural gas extraction.

And did I mention he did his entire presentation while playing a banjo? Earth shattering and an absolute must-see.

Take-away: Natural gas extraction through “Fracking” could be (or is) the next man-made natural disaster. People need to watch this movie and tell their elected representatives to put an end to it right now.

Bottom Line: Share it. This talk should be featured at the main TED conference.

Did you know concrete represents 5-8% of the total output of CO2 in the world? That’s more than all air travel and shipping combined. And did you know that over the next 20 years, 3 billion people, or 40% of the world, will need a new affordable home. Architect Michael Green and his team has decided to take on that challenge using the most unexpected material: Wood.

As Green puts it, we are facing two major mountains that need to be climbed in the immediate future: The housing crisis and the climate crisis. If things continue the way they do now, solving the housing crisis with current methods and current materials (primarily concrete and steel) will just make the other mountain – the climate crisis – a lot worse. What is needed is a solution that takes on both problems at the same time. According to Green, that solution may well be going back to building buildings out of wood.

The challenge is that as our population increases and becomes more centralized, an increasing proportion of us will be living in cities, and that means tall condos – currently the exclusive domain of concrete, steel and glass. But does it have to be that way? Turns out no. Using the example of a 1700 year old 13 story wooden building in Japan, Green contends that the only reason we are not currently building multi-story condos, office buildings and high-rises from wood is lack of innovation. That and restrictive building codes. Currently the height limit for wood frame buildings in Vancouver is 6 floors. That is contrasted by London’s limit of 30. And as we speak they are building a 17 story wood-frame building in Norway and a 30 story building in Australia. Clearly there is something amiss here.

Green and his team is developing new and exciting building techniques that makes it easier and safer to build multi-story wood frame buildings. And his goal is to develop wood-based building techniques that can be introduced in third world countries so that wood is treated as a building material rather than a source of heat or a nuisance to be cleared in place of crop. It is a monumental task and Green looks like the man for the job.

Take-away: Concrete is way more polluting than anyone thought. Building with wood may be the solution, but building codes have to change for that to happen.

Bottom Line: Share It.

In addition to the talks there were two musical performances; the first one by guitar virtuoso Dan Adler and the second by hip-hop artist Kyprios (plus a bonus collaboration at the end by both). Both musical performances were excellent in their simplicity and were a great addition to the event. What’s interesting though was that after Dan Adler’s truly amazing guitar artistry he offered what was in my opinion the best take-away message of the day:

“If you are not a leader and can’t lead. Find a leader and help them lead.”

Overall I’d say TEDx Vancouver 2010 was a worthwhile event. The talks were extremely varied and had an overall high level of interest and innovation. Keeping 500+ people entertained for a full day is a huge challenge but the TEDx team pulled it off without any major hiccups.

The event was hosted at the Kay Meek Centre in West Vancouver. The centre has a very nice auditorium perfect for the event, but the rest of the venue leaves something to be desired. In particular the mingling space is sparse and fragmented. The space outside the auditorium is split into two main levels, one of which has a large outside space and the other with a large side room. Almost completely absent is any place to sit. As a result, in all the breaks people would mill into the different spaces, cluster in separate areas and the possibility of meeting new people was reduced. That’s not to say it was bad, it just wasn’t ideal. A one-level space would have been a lot better.

The one thing I missed from other conferences was a proper sandbox space with actual breakout sessions. Though it was mentioned repeatedly by the MC, there was no real space for sitting down and discussing the topics of the day with other attendees. As it was, pretty much all of the limited space was used up by attendees wanting to sit down while they were eating and there was no space left for starting an inviting conversation. This was primarily a locational problem as the Kay Meek Centre doesn’t really have the space for this to begin with, but there are some elements that can be borrowed from other conferences in the future that can help spark conversation and make the event more collaborative.

In particular I’m thinking of a proper sandbox room with pin boards, signed discussion areas and ample seating. The MIX conference in Las Vegas does this exceptionally well and the implementation is simple: You place one or more pin boards in a space where people can pin their thoughts, ideas and what they want to talk about. Then in the main sandbox / breakout room you set up groups of seating with small whiteboards where people can sit down for a discussion. The idea is a group would sit down and write the topic of discussion on the whiteboard. That way other attendees can come in, find a topic they want to discuss and join the discussion without having to hover for a while just to figure out what’s going on. It’s effective, it sparks discussion and it fits perfectly with the TEDx concept.

In summation TEDx Vancouver was well worth the effort of the application process and the $40 ticket price. In fact I would have paid more for more drinks (it was a nearly impossible task to find anything other than coffee), more discussion space and a more central location. I look forward to TEDx Vancouver 2011 and I will start working on a pitch for a talk right now!

For other takes on TEDx Vancouver check out reviews by Kimli, Rick Chung, Julia Spitale and Beyond Robson.


View the original article here

sâmbătă, 20 noiembrie 2010

Expanding the Theme Review Experiment

When I was a kid my dad used to practice his typing skills (on a real typewriter no less) with the phrase:



Now is the time for all good men to come to the aid of their country.


For some reason that has stuck with me all these years. Today I’m going to rephrase and re-purpose that line:



Now is the time for great theme developers to come to the aid of their community.


The theme directory has been chugging along for more than a year now. During that time we’ve tinkered with the review process and some of the management tools, but haven’t really opened it up as much as we’d like. It’s time to rip off the band-aid and take some action; to that end, we’re looking for community members to help with the process of reviewing themes for the directory.


Right now this is a bit like a New Year’s resolution to exercise every day: it’s what we need to do, but we’re still figuring out exactly how it will all work. That’s part of the community involvement as well — we expect that those who pitch in will also help shape the process.


What’s involved in reviewing themes for the directory? There are some obvious things, such as being familiar with PHP and WordPress theme code (and the theme development checklist), with an eye for security issues. You would also need to have the ability to set up a separate install of the latest version of WordPress for testing theme submissions.


Hopefully a few talented theme developers are reading this right now and saying to themselves, “I’d love to help! How do I get started?” Just join the new theme reviewers mailing list and we’ll get you up to speed on this new opportunity to come to the aid of your community.


View the original article here


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joi, 18 noiembrie 2010

Book Review: Handcrafted CSS: More Bulletproof Web Design

Some context: People keep asking me what books they should read to learn about web design and everything else under the sun. Therefore I’ve decided I’m going to start reading books about web design and everything else under the sun and write reviews of them so you can see if it’s a book you should check out too.


Handcrafted CSS: More Bulletproof Web Design is a book by and for web designers and developers with a solid understanding of HTML and CSS who want to push things further with standards-based code and progressive enhancements through CSS3 and other bleeding edge technologies.


Handcrafted CSS: More Bulletproof Web Design has one of those weird author listings on the front cover: Dan Cederholm with Ethan Marcotte. If you’ve watched the movie Julie and Julia you know that “with” means that the majority of the book is written by Cederholm while a smaller portion is by Marcotte. For this book I’d say the book itself is by Cederholm and that it features an essay by Marcotte that brings in a slightly to the left but still highly relevant aspect that elevates its overall quality and usefulness.


Dan Cederholm is the man behind Simplebits.com and author of the famous book Bulletproof Web Design of which the last edition was published in 2007. I have not read that book and by now I have a feeling it is too outdated to invest in. I might pick it up at the library but it’s doubtful. But people I know and trust say it’s a great book so I’ll make that assumption. Cederholm has created some truly impressive websites over time, many of which you have probably visited, and he’s one of those people who not only knows what he’s doing and does it better than most but also knows how to communicate that knowledge to others so they can step in his footprints rather than stake out their own way through the wilderness.


Ethan Marcotte is the man behind UnstoppableRobotNinja.com and he pops up as the co-author of several books including Designing with Web Standards which is one of the next books on my long list of things to read. Like Cederholm Marrcotte has worked on some pretty impressive projects over the years and his understanding of how the web works is hard to rival, even for Cederholm.


Both these gentlemen are at the very forefront of web design and development where standards and best-practices are concerned. As such this combo bodes well for the book they’ve collaborated on.


Excluding front and index matter and preface Handcrafted CSS: More Bulletproof Web Design is a fairly short book of 204 pages. It’s in an unusual square-ish shape and comes in full colour with a nice and easy-to-read page layout. Considering the length of other books on the same subject matter it’s easy to think this book to be a little too light on material and substance. That would be a big mistake. These pages are heavy on real-world examples and applications with very little filler text. Although it has the sub-title “More Bulletproof Web Design” the book does not work as an extension of the original book but rather as an appendix. In other words it stands on its own. As a designer/developer with a firm understanding of HTML, CSS and all that surrounds these two code languages I found the book to be an engrossing and immersive read with bucketloads of valuable input. But I can see that without such a solid platform to stand on I would have judged the matter as both superficial and overtly simplistic. Which is the surprising consequence of Cederholm and Marcotte’s clean-and-simple approach.


Having worked with web design and development for many years I’ve noticed that as my understanding and skill set improves, my code becomes more and more simplistic and clean while the end result of that same code becomes more advanced. Handcrafted CSS latches onto this by providing even more simplistic and cleaner code examples and solutions to create well functioning and æsthetically pleasing websites. This is a huge benefit if you’re well versed in web code and a devestating detrement if you’re just starting out: If you don’t have a firm grasp on the code and understand what Cederholm and Marcotte is trying to do this book will seem like a series of disjointed code examples that at the same time go in too much detail and skim over the important stuff.


Cederholm’s portion of the book concerns itself with three major elements:

FutureproofingProgressive enrichment through CSS3 (in particular rounded CSS corners, RGBA colours and drop-shadows)A better model for handling floats and clears

These are all hugely important considerations as both the web and the devices we ingest it on evolve but they are easily overlooked because they seem peripheral or subordinate to the issue of getting the content out and working properly.


Cederholm’s approach (and the root of the name of the book) is that a craftman goes the extra mile to add often invisible but still vital elements to her creations to make them stand out. Those elements, or enrichments, can be anything from a properly wrapping list item to a custom ampersand symbol, a gracefully degrading rounded corner or just introducing a semantically sound solution to float and clear management.


FYI: If you’re considering buying this book and the sentence above made you shake your head or think “what the hell is he talking about” I would recommend getting something else instead.


To me Cederholms chapters were divided evenly between verification, a-ha moments and new information. His approaches to futureproofing – making sure that designed elements are able to handle content that goes beyond the original drafts (i.e. a button with text that spans more than one line or has long words in it) – are ones I have strived to live up to even before reading the book. Thus seeing him applying the same philosophies and techniques in his QA process was a verification that I am on the right track. When I started on the section on a semantic solution to floats and clears and saw his ingenious .group solution I was left thinking “What the hell have I been doing all this time? This makes way more sense!” Needless to say the lessons learned from these chapters are now being implemented in all my current and future projects. And as I worked my way through the CSS3 examples and Cederholm’s pragmatic “progressive enrichment” approach I gained confidence and found a desire to start incorporating drop shadows, RGBA colours and rounded corners in my designs now rather than wait for all the browsers to get with the program.


Actually, Cederholm’s attitude toward progressive enrichment deserves special mention here. Whereas a large majority of web professionals have made Internet Explorer bashing into a competitive sport Cederholm proposes a more pragmatic approach: Rather than designing for cutting edge browsers and being frustrated by older browsers not keeping up he creates designs that incorporate rewards for more forward-thinking browsers while incorporating clean and simple solutions for the older generation. This is the only reasonable approach and one I’ve been promoting myself for years so it’s good to see I’m not standing alone on this.


Although Ethan Marcotte’s contribution to the book is only a singular chapter it is a hugely important one. As the title suggests it concerns, and solves, what has been a bit of a mystery for many: The Fluid Grid. Grid-based layouts have been a pillar of print design since the early 1920s and have started making their way onto the web. There are many reasons for this, none of which I will cover here. The challenge with grids on the web has always been that they are either entirely static or at the very least have static elements. This becomes a problem when visitors use devices with unusual or small screen sizes (think a phone, an iPad or a vertically oriented screen) because they are often forced to scroll left and right to access the information on the screen. Marcotte sets out to create a proper fluid grid layout and manages quite well through the use of relative sizes like em and % combined with a fair bit of math. The resulting fluid grid is quite ingenious and introduces flexibility to sites that previously were confined to rigid structures. And practicing what they preach both Marcotte and Cederholm use these types of fluid grid layouts on their own sites. Open them and resize your window to see for yourself.


The red line running through Handcrafted CSS: More Bulletproof Web Design is the attitude that a little extra refinement and forethought will bring rewards, in functionality, æsthetics and simplicity. And this attitude is one that can be applied to pretty much every aspect of life, not just web design. Cederholm and Marcotte are both living examples of how well this approach works and their sites stand as testaments to the techniques and parctices.


This book is for the seasoned designer / developer who already has a firm grasp on HTML and CSS but wants to take it further. It is also an excellent introduction to the world of CSS3 and fluid grid layouts for those that want to push their sites and designs into the future. The book is best read while sitting in front of your computer, preferably with a project on hand where the techniques can be implemented immediately. It is when you see the examples take shape and improve your own designs you realize where the value lies in this book. It’s not as much a list of good code examples as a guide to improving your own work. As such the seemingly disjointed code examples actually make a lot of sense: Rather than presenting pre-packaged functional content they are laid out in such a way that they can be slotted into pretty much any project for instant effect. This falls well in line with the theory that new knowledge is best retained when immediately applied to something that matters to the person learning it.


I wholeheartedly recommend this book wihtin the parameters I just set out and look forward to learning more from both Cederholm and Marcotte.